Nicholas Kmet is a music editor based in New York City. His recent credits include Madame Web (2024), Lisa Frankenstein (2024), They Called Him Mostly Harmless (2024), and Survival of the Thickest (2023). He is a member of the Motion Picture Editors Guild (Local 700), and is professionally represented by Michal Marks (A Muse Management).
Nick is a graduate of New York University’s Screen Scoring master’s program, and is currently finishing a PhD at the same program; his dissertation covers the role and impact of music editors in contemporary post-production. While at NYU, Nick has had the opportunity to work alongside prolific music editors Todd Kasow and Suzana Perić as an assistant, both in the classroom at NYU and professionally on a number of film and television projects.
Madame Web
(2024)
Music Editor
Lisa Frankenstein
(2024)
Music Editor
They Called Him Mostly Harmless (2024)
Music Editor
Survival of the Thickest
(2023)
Music Editor
Crater
(2023)
Music Editor
Dead Ringers
(2023)
Music Editor
Chang Can Dunk
(2023)
Music Editor
The Martha Mitchell Effect
(2022)
Music Editor
The Last O.G. (Season 4)
(2021)
Music Editor
Amend: The Fight for America (2021)
Music Editor
A Quiet Place Part II
(2021)
Assistant Music Editor
Ma Rainey’s Black Bottom (2020)
Assistant Music Editor
Runt
(2020)
Music Editor
Drunk Bus
(2020)
Music Editor
A Call To Spy
(2019)
Assistant Music Editor
Radium Girls
(2018)
Music Editor