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Nicholas Kmet is a music editor based in New York City. His recent credits include Madame Web (2024), Lisa Frankenstein (2024), They Called Him Mostly Harmless (2024), and Survival of the Thickest (2023). He is a member of the Motion Picture Editors Guild (Local 700), and is professionally represented by Michal Marks (A Muse Management).

Nick is a graduate of New York University’s Screen Scoring master’s program, and is currently finishing a PhD at the same program; his dissertation covers the role and impact of music editors in contemporary post-production. While at NYU, Nick has had the opportunity to work alongside prolific music editors Todd Kasow and Suzana Perić as an assistant, both in the classroom at NYU and professionally on a number of film and television projects.


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RECENT CREDITS


Madame Web
(2024)


Music Editor

Lisa Frankenstein
(2024)


Music Editor

They Called Him Mostly Harmless (2024)

Music Editor

Survival of the Thickest
(2023)


Music Editor


Crater
(2023)

Music Editor

Dead Ringers
(2023)

Music Editor

Chang Can Dunk
(2023)

Music Editor

The Martha Mitchell Effect
(2022)

Music Editor


The Last O.G. (Season 4)
(2021)

Music Editor

Amend: The Fight for America (2021)

Music Editor

A Quiet Place Part II
(2021)

Assistant Music Editor

Ma Rainey’s Black Bottom (2020)

Assistant Music Editor


Runt
(2020)

Music Editor

Drunk Bus
(2020)

Music Editor

A Call To Spy
(2019)

Assistant Music Editor

Radium Girls
(2018)

Music Editor